Star Trek: Enterprise

“Oasis”

2.5 stars.

Air date: 4/3/2002
Teleplay by Stephen Beck
Story by Rick Berman & Brannon Braga & Stephen Beck
Directed by Jim Charleston

"Twenty-two years, captain. I've lived here for 22 years. And that ship down there may seem like nothing more than spare parts to you, but to me, it's home. I don't want to leave. I'm happy here. Comfortable." — Ezral

Review Text

In brief: Pleasant but too familiar.

Part of me enjoyed the easygoing dialog and sensibilities of "Oasis," which is for the most part a quiet, well-acted outing that scores lots of points for being amicable. But then logic takes over where emotions taper off, and I see before me a story that is very obviously derivative and predictable — a Trek story that borrows generously from Trek stories that came before.

The cynic in me that wants to say "been here, done this" is beaten into quasi-acceptance by the sentimental optimist, who notes that even if this story isn't new, some of it works on an emotional plane. Which side of me wins this debate? Neither, because "Oasis" is quite simply too average for either side to get worked up about.

Probably not very useful is the episode's idea of playing much of the show as a mystery, particularly given how painfully conventional the solution ends up being. In this day and age, where major story twists are benchmarked by those found in movies like, say, The Sixth Sense or Fight Club, "Oasis" finds little of value when playing the mystery card.

The mystery is the question of a marooned crew on a crashed vessel. Before visiting this crew, Archer is handed an ominous warning by a passing trader (Tom Bergeron) who recently came in contact with them: "The, um ... crew objected," he says, before adding, mysteriously, "There wasn't anything alive."

The Enterprise away team lands on the planet to find what initially appears to be a deserted ship, before finding the crew hiding out in a room that apparently protects them from being detected by sensor sweeps. This crew says they've been stranded here for three years after crashing, unable to repair their ship. Archer offers to help, and in the process of making repairs, Trip and T'Pol come across some strange facts that indicate this crew isn't being completely forthcoming about their situation, hence the episode's air of mystery: What is this crew hiding and why? The big "shocker" comes in the form of a long-dead corpse in an escape pod orbiting the planet. It's the corpse of one of the crew members Trip has seen alive and well on the planet surface. How can that be? Are they ghosts? (Cue ominous music.)

The answer is predictable, conventional, and familiar: The crew is made up of holograms, save two survivors: Ezral (Rene Auberjonois) and his daughter Liana (Annie Wersching, whose character sometimes bears an uncanny resemblance to Kes from the early seasons of Voyager). They alone survived the crash some 20-plus years ago, when Liana was still a very young child. Ezral, unable to repair the ship to leave the planet, designed the holographic crew to become her — and his — extended family. Similar plots/themes include DS9's comparable "Shadowplay" and TNG's superior "The Survivors."

That's about all there is to the less-than-surprising plot, but what I liked about this episode was its presentation. Trip and Liana strike up a sweet, understated chemistry that reveals Trip as quite the gentleman. Such a gentleman, in fact, that I wanted to slap T'Pol around for being a needless thorn in Trip's side. She's all over his case for being friendly with Liana, and reminds him of how he got pregnant in "Unexpected" — something which I'd like to point out to T'Pol was hardly Trip's fault (unless he missed the lesson at Starfleet Academy that said, "For human males to avoid getting pregnant by Xyrillian females, you must be sure not to put your hands in a box of granules while sitting in a holographic boat").

Probably the best thing about the mystery was revealing it at the end of the third act and thus leaving the fourth act in the hands of a good deal of heartfelt dialog and human choices. Ezral turns out to be a real person instead of just a vessel for the plot. He had to make a choice — saving his daughter's life in the heat of a crisis — that indirectly caused the deaths of most of his ship's crew, his wife included. Now he just wants what's best for his daughter, and for years that has meant raising her with this virtual family — but now we suspect she's ready to move on to real life while he's content to live in this virtual past. The always-reliable Rene Auberjonois brings a wonderful authenticity to Ezral's regrets, pains, and fears in a way that really makes a difference. Where this story could've fallen victim to its own familiarity, the actors make it watchable.

Beyond that I have little to say. "Oasis" is ultimately a simple tale of human choices and with a little bit of good character study. It's a credit to the actors — especially Auberjonois — that we're invited to care. It's somewhat unfortunate that such well-delivered tones of pleasantness and classic Trekkian attitudes must play themselves out in a plot that's so obviously routine. Three acts of pedestrian "mystery" and one act of sincere sentiment add up to an episode that I wasn't sorry to be watching, but also wouldn't be breaking down any doors to see again.

Previous episode: Acquisition
Next episode: Detained

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Comment Section

43 comments on this post

    Well, the episode is watchable, but I could imagine better uses for a guest star like René Auberjonois!

    I have a soft spot for mysterious stories centering around ghosts and unexplained mysteries. So it's a real downer when they're handled poorly. I think if you're going to a ghost or mystery do two things:
    1) Make it spooky
    2) Make it watchable to hold our attention
    This episode started out doing that, then dropped the ball halfway through. It wasn't as bad as the abysmal "Terra Nova", but almost.

    I liked this episode the first time I saw it, when it was called "Shadowplay."

    I can see why Auberjonois was invited, because of the obvious link to the excellent "Shadowplay" which he was very good in and seemed to enjoy himself.

    But - I had the "mystery" pegged as holograms before the half-way point, specifically when they walk into the computer room with what I thought were quite holodeck-like glowy things tiled around the wall like shining beacons of hologram-ness. Others probably realised even earlier. Because of that, it suffered, I thought.

    It wasn't bad though. The equivalent "Shadowplay" was very good so of course this carries some of that success with it. It's just a little too familiar and the mystery wasn't one, at least for me.

    It was a bit obvious, but I liked "what if she gets sick, will you program some sort of holographic doctor?" :)

    I'm afraid Berman and Braga deserve a good dose of criticism for this first season. They were completely out of ideas - we've had a holodeck, a Ferengi episode, a hologram episode, a "Vulcan experiences intense emotions" episode....we've seen it all before. This episode might be pleasant enough - Trip and Lianna had a nice chemistry - but it's totally forgettable.

    I watched a featurette on "Shuttlepod One", and had to laugh when Braga said how they'd become tired of space battles and wanted to do more character-driven shows. Shuttlepod One is a complete exception to a season where Enterprise and the characters have been firing phasers more often than not.

    What a shame they only showed having "became tired of space battles" approximately once in the whole show's run then, heh.

    More character-driven episodes would've been perfect! Especially since even by the end the most developed character is still the dog. I guess Braga and co had just become too jaded to press forward with such ideas at that point in Trek's history.

    They missed a couple of tricks here. Why not make Ezrial or whatever his name is the ancestor of the inventor of Voyager's hologram Doctor?

    Second, they must have thought this too, because I'm sure there is a knowing joke when Trip asks

    'What will you do if she gets hurt? Create a holographic doctor?'.

    Put those two together, it might have been good.

    If people continue to make idiotic remarks about Porthos throughout these reviews, I'm gonna have to break something. PS This episode was yet another boring one, there's just no drama in these episodes.

    Hmm, once again Jammer misses the point of the Trip/T'Pol scene, even after bringing up the related scene from back in "Unexpected." Isn't it obvious? Everytime Trip gets involved with a woman, T'Pol gets all miffed, pissy, n snarky. :D :D

    I'm watching Enterprise for the first time, so I don't know how it'll play out, but it seems clear what the writers had in mind for these two at this point.

    Jammer's too generous with 2.5 stars for this episode for it commits the cardinal sin of just being soooo boring plus we'd seen practically the same show before on DS9. B&B just ran out of ideas and should have turned the writing reins over to new blood.

    I agree, 2.5 is far to high for this dreadful episode. Their bioscanners are total garbage, I don't think they've been accurate once. Here, they return no life signs, when in reality, there are two people on board. I don't recall them even dropping a line of technobabble to explain it away. The entire episode would have been resolved if their technology just worked like they say it does.

    In their defense they did drop techno babble to explain the lack of bio signs. They placed a dampening field around the ship in order to prevent detection from outside forces.

    Broadly that was pretty inoffensive, but again we're not really pushing the boundaries here and the story itself was both a familiar and predictable one. I for one was also being thrown out of the episode whenever 'Odo' appeared, but perhaps that was just me. The reveal I thought was coming toward the end only to find another 10 minutes to go - a measure of how slow this seemed.

    There was something sweet about the Liana/Tucker relationship, and the knowing nod to the holographic doctor raised a smile, but really this was no great shakes. 2 stars.

    The best part of Oasis was actually a bit of on set trivia I once read in an interview years ago. Apparently, Scott Backula was very excited about the episode, feeling it had a very original premise. When René Auberjonois heard this, he replied they had done pretty much the same thing years earlier on DS9.

    That in a nutshell is the problem with Enterprise season 1 and 2. You could see the effects of "franchise fatigue", or at least that veteran Trek writers and producers were running out of steam. Oasis really is Shadowplay in HD, with less cheesy sets.

    I was checking out IMdB and noticed that this episode was Annie Wersching's first credited TV performance. I thought she was awesome as Lianna and she's the only real reason I rewatch this one. That's one beautiful gal. It was nice to see Rene again, albeit in a kind of blah episode.

    The first time I watched this the "reveal" was pretty cool.

    Best line?

    "TUCKER: You got a lot to learn about making friends.
    EZRAL: I've made all the friends I need."

    The best part about this one is the Trip/Lianna interaction.

    Jammer's got it about right, 2.5 star from me.

    I loved the "holographic doctor" line.

    There is another similar nod when Ezral says it is strange being in space again after so long (great in-story, but an obvious a nod to Rene's time on DS9 too, albeit only three years hence).

    Very predictable overall, though watching it for only the second time recently, I did not remember how it resolved.

    It would've been awkward if the writers called this episode "Shadowplay Part II", but come on... B & B are killing me over here!

    That's not to say I disliked the episode, it was as you said, "pleasant".

    Rene does a great job as always, though it's funny seeing him in a copy of an episode that he had a major role in. The story of Bakula thinking they were doing an original story and Rene telling him otherwise has me sighing... the franchise's burnout was not obvious to the show's own actors.

    2.5 seems right for this one, though you gave Shadowplay the same rating and I would assume that one is the better of the two.

    The conceit has been done lots of times. All the way back to Captain Pike in TOS. But it still works and Trip and Lianna stuff is pretty good.

    I'd like to say that this the only time that the Star Trek universe has actually recycled a story from another show...
    but I could be wrong.
    (I mean another Star Trek show)

    At this stage of ENT S1 I get the distinct impression the writers are running out of ideas after the inadequate "Rogue Planet", the awful "Acquisition" and now "Oasis" which has been done before. About the only thing worthwhile here is a natural and believable relationship between Trip and Liana that shows the engineer's a nice guy (and maybe the start of some jealousy from T'Pol) + Auberjonois as a solid guest actor.

    Auberjonois tells the heartfelt tale of how he thinks he let his ship down by going for his baby daughter and not dealing with a plasma leak. This final conversation with Archer was good -- the character has to face the fact that it's time to leave his ship/home. Also have to wonder if he's over protective of his daughter to her detriment, but the episode didn't really go there.

    The other thing I question is Enterprise's naïveté in volunteering to help so much without getting straight answers. Is it just there to do charity? Trip obviously develops feelings for Liana so he gives her a tour of the ship and doesn't get any answers from her in return and is then forced at gunpoint to fix their systems -- how do these supposed professionals get themselves into these pickles? And good luck winning a phaser fight against holograms. Anyhow without their generosity/naïveté, there would be no story.

    2.5 stars for "Oasis" -- Not much of a mystery in this one -- another fairly predictable outing but with some nice character moments. A good Trip episode, but it avoided anything poignant or controversial -- kind of played it safe. Even if it is not a bad episode, it's really only worth watching once.

    So I was right, it was Rene Auberjoinos, and that girl did look like Kes. Perhaps I imagined it because I recognized “Odo” but some of the music sounded as though it could have been from DS9. I am beginning to actually like Trip, yes he may be a bit unrestrained and a bit for a lack of a better word, “rural”. Also I am beginning to dislike T’Pol and perhaps feel sorry for her. When she stated she never felt fear and started pestering Trip about that incident where he got (ahem) pregnant I was certain she was acting out on him because he dared to ask her whether she felt fear and said it was nothing to be ashamed of. If she didn’t feel fear during her excursion in San Fransisco, her dream about it and when that vulcan guy tried to force her to relive it then what was it? Yes, it manifested itself as anger and becoming ill. I say she was so afraid she got sick. But then again I am no doctor.

    2.5 stars. It’s okay. Pretty neutral

    It started out pretty intriguing and spooky but the way it played out was a real disappointment. It had its moments but not enough to make me care one way or the other

    My friend, harshly reviewing the episode and the series so far:

    "You know you said it gets better in the third series? I hope so, cos it's absolute diarrhea!" He then mimed pooing his pants along with sound effects.

    He thought the opening to the episode was excellent but it became very boring when they actually met the colonists. We also raised the point that this is a repeat of Trip's storyline where he met the female alien in an early episode.

    This sums up his opinion of Enterprise as a whole really. It started off extremely well and gradually got bogged down with non-stories.

    I'm watching Stargate Atlantis again side by side with Enterprise and the contrast between the two shows is stunning. ENT is slow, staid, with very likeable characters but no direction or urgency. People sort of stand there delivering lines. SGA is vibrant, action-packed, with terrific writing and even better acting. You feel the intensity, the peril, and as a bonus side effect the overarching storyline keeps moving. Every new enemy in the Stargate universe is introduced with an amazing flourish and the background music is always spot-on. In ENT, we don't really have an enemy, or a plot.

    This one is a surprisingly good episode of Ent. It is a gem compared to most of the other previous episodes. It had a intriguing plot, good character moments a sense of action throughtout the episode.
    Overall, it`s one of the better Ent episodes in season one with a 3.5/4.

    Inoffensive episode, perfect to have on when folding laundry or cutting carrots. I mostly agree with the above statements, but had no serious problems with the episode.

    The twist is too obvious to us who know about holograms. It’s weird that they largely copied a DS9 story with a DS9 actor, and then made Kes II his daughter. But this is one of the better one off guest star romances I’ve seen on all of Star Trek. I thought she and Trip had great chemistry, it was very believable, and there’s a believable happy ending too.

    Pleasantly surprised by this one after a spotty run of episodes, even if it's mostly just alright. I think this first season has been somewhat unremarkable—many episodes either fail to live up to potential or just about scrape by (I think Dear Doctor is the only one to inspire anything close to a strong opinion), but this at least falls into the latter category. Nice to see Auberjonois in Trek again, especially since he's sadly no longer with us.

    Quite a solid episode but it’s been done before, and better, in other series. I was hoping there would be an additional twist at the end, with the girl turning out to also be a hologram, but the father was in denial or something.

    Episode had a deliciously spooky beginning, and then changed to a stranded crew. Not a bad one.

    You know, I found Liana to be quite attractive here. It was Annie Wersching's first acting job. I don't mean this in a mean way, but it is uncanny how people can be made up. Every other single photo of her that I've seen, she looks TOTALLY different and not attractive at all! I think it is the hair, mannerisms, and I'm not sure what else. I mean she even looks different in the facial features than she does everywhere else.

    Well, I just watched the show in its entirety. That was unexpected-it still had that spooky, mysterious element! Great!

    I guess the only negative to it in continuity is the fact that the Enterprise crew could fix the computer with its holographic creations. I mean holograms in Starfleet only make an appearance 200 years later. I used this analogy earlier, but it's like a 19th century steam locomotive mechanic fixing a 21st century jet engine.

    But that nitpick aside, I really liked the episode! I see T'Pol seems jealous of Trip! Hehe-that was amusing

    Decent episode but it does get annoying to see Archer push help on people who obviously don't want it at first. As much as he dislikes help from the Vulcans you would think he'd be able to take a hint. Why are you in these people's business anyway? Digging into their story looking for inconsistencies then demanding answers? Who the hell do they think they are either help them or not. Idk as much as I love the Trek series I don't understand sometimes why they do the things they do in the name of helping others and making friends. Guess I'm no explorer. Though it was nice to see Rene back without his changeling makeup.

    Always nice to see Rene Auberjonois on Trek. That's two former main-cast actors in a row, with Ethan Phillips on the last one.

    Sean - I think the references to the Xyrillians in this episode was intended to explain why Trip can repair their systems. T'Pol needles him on it in the context of not falling in love with strange alien women, and I think that the "twist" - that they're holograms - was intended to have been foreshadowed by that reference too, as the last time Enterprise encountered sophisticated holography was back in "Unexpected" with the Xyrillians too.

    And I spotted Annie Wersching straight away as I'd just finished watching her on Runaways. Not sure on what photos you're seeing, but she was very attractive in that series.

    I just watched this episode again after a long while. I had forgotten that Rene Auberjonois was in it and it was a real pleasure to see him again. He is missed.

    Have to concur with this review. Another middle of the road episode. Nothing wrong with it, it's fine. However, its not original and there is nothing to write home about. 2 stars.

    Will noted: "The conceit has been done lots of times. All the way back to Captain Pike in TOS."

    It feels like Shakespeare's The Tempest mixed with the twist from DS9's Shadowplay.

    Still, not a bad episode. But as Jammer say's it's a little too familiar.

    I would have sworn that the actor playing the alien trader D'Marr was played by John Glover, but, no, Memory Alpha says it actually Tom Bergeron. The similarity of voices and mannerisms is uncanny.

    I'm watching Enterprise for the first time and just finished this episode. I can't help but be baffled by Rene's insistence on not leaving his ship once given the opportunity. He makes the argument that he and his daughter are happy there and that their crashed ship is their home. Now, that line of reasoning would make sense if his daughter was, say, five or ten or even fifteen years old. However, she's got to be nearing her thirties by the time of their discovery by Enterprise. The degree of selfishness displayed by her father is mindboggling. What if she wants to start a family or explore the galaxy or have a career? He's actively refusing to give her the chance to do those things simply because he feels guilty for failing to save the ship. It's actually insane. Starfleet propaganda notwithstanding, you can't really live a meaningful life surrounded by a bunch of holograms. Trip was right. If anything happened to the father, he'd essentially be damning his daughter to a life of intense loneliness or worse.

    It's somewhat forgivable to borrow from Trek that came before. But it's unbelievable to me that they pulled a script that is so similar to "Shadowplay" and then thought "you know what this episode needs? A DS9 main cast member!"

    It's not like Trek is known for having previous main case members show up on later shows playing different roles. Guest cast, yes, but having Rene show up as a character that is so obviously recognisable as the same actor? I'm flabbergasted that they had him on.

    I could have seen them putting him on in a full-prosthetic alien like a Klingon or a Ferengi, even though his voice would be a dead giveaway - which was just one of the problems with the previous episode (Acquisition) - the clear familiarity of voice of Jeffrey Combs, Clint Howard and Ethan Phillips (and even the appearance of Clint) was enough to take me out of the situation entirely.

    Similarly, how can I look at a group of aliens, with Rene being one of them and take them seriously as unfamiliar aliens? It's like when you are watching an episode of Law & Order, and you recognise and actor and immediately know that character is going to have some important role in the story even though they seem insignificant at first (they are probably the killer) - having Rene just sitting there as "just one of the aliens" immediately draws attention, where some random actor would not have. There are enough talented people in Hollywood that I know they could have gotten a quality actor to play the pat. The fact that Phillips was just in the previous episode clearly suggests they were going for either the "Trek nepotism" or the "stunt casting" to try to appeal to fans. I don't think either instance benefited the episodes.

    I’m a big fan of Enterprise and all of Star Trek. I watched Oasis again today because Annie Wersching died this week at age 45. When watching her play the Borg Queen in Picard, Season 2, I found out that the role of Liana was her first screen appearance. May her memory be a blessing.

    Just happened to have this on my view list when word of Annie Wersching's passing came. Her talent was obvious, as was her capacity for conveying emotional depth. In my opinion, there was an underlying sadness and vulnerability channeled into the character of Liana by Wersching which worked to greatly deepen the episode. So even something as simple as her eating ice cream and asking Trip what marshmellows are became a poignant demonstration of fragility. Jammer noted that there was a resemblance to TNG's The Survivors, but I also think it drew from The Dauphin of Season 2, and TOS's Requiem for Methuselah in the sense of presenting the tensions protectors feel for their youthful wards.

    They could have saved it if they’d actually kept the characters around a bit, inject some fresh blood into the show. I liked the characters. Always good to see rene auberjois
    I can’t see abandoning them to that death trap. Outside shot as they’re leaving makes it pretty clear it’s a rust bucket at this point

    I agree with the first few comments, I wish the mysterious ghost encounters lasted alot longer through the episode and they more slowly built up to discovering they were only holograms. Started out good but ended up becoming a mostly boring episode after 2 to 2.5 stars.

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